Proscription is the third track in Adecentros Vol. I

Proscription is Michael Adeniken’s third track in the album titled Adecentros Vol. I. He enters the world of electronic music after being a Classical Pianist and Composer. This is the third in a series of interviews about his new album.

Alexandria Burns: Just when you think it couldn’t get any better you give us this. Tell us you process in creating Proscription?

Michael Adeniken:  We were talking earlier and Proscription, for me is my masterpiece on this album. Always striving to give the audience something original, I believed I achevied that with Proscription. Instead of throwing every new sound at you in a bubble popping way. I managed to blend the right ones and make them flow. From opening, you hear the orchestra and then world percussions, something I did with Expansion. Where I differ is the blending of a hip-hop beat that acts of a base and filler, like ice cream in a cake. You’ll hear other orchestra sound, synths, and a choir. But what draws you in, is that beat throughout the track.

Alexandria Burns: You mentioned world precussions again, how does that play into your tracks.

Michael Adeniken: World precussions much like orchestra is a big part of my music. All music stems from it, so for me not only does it sound good but it’s paying homage to the root of music.

Alexandria Burns: Was it by design to merge classical with electronic?

Michael Adeniken: By design; no. In my journey to create this album, I think there was no way for me to avoid having classical music be a focal point. I’ve spent too many years with it. That’s way electronic music was such a great avenue for me because I didn’t have to fully leave classical music.

Alexandria Burns: Thank you, see you in the next one.

Michael Adeniken: Always a pleasure Alex.

©Adeniken Corporation